For Alex and me, the decision to self-publish was arrived at after much discussion. In 2006, after a number of “near” victories with The Noon God and Gold And Fishes, I personally made the leap. It was apparent to me that glowing rejections, no matter how flattering and well-meaning, would not be enough to sustain my work. I needed to get my stories ‘out there’, to engage in meaningful artistic expression.
I was ready.
In the fall of 2009, Alex’s first book of short stories “Two Scoops” Is Just Right was set for publication at the same time as was my novel The First Excellence ~ Fa-ling’s Map. I’d already run the gauntlet of agents and publishers with six previous manuscripts, including The Noon God and Gold And Fishes, so I took the lead and helped Alex put together proposals.
Again we received encouraging rejections. I’m not bitter about this. I deeply appreciate the busy people in the literary industry who took the time to write me letters of encouragement. Many of them were very kind. Just the same, I knew I had a good story with The First Excellence and I knew my characters would be memorable.
We’ve never regretted our decision to make an independent ‘go’ of it with our books. A number of writers have asked me whether they should do the same. I’ve been hesitant to recommend this route, knowing each artist has to make his own decisions. Many can’t afford self-publishing, and many more feel their work just isn’t ready.
Also, there is a stigma associated with self-publishing. From what I hear in my networking circles, a lot of writers are still nervous about jumping into the fire.
I enjoyed all of Dan Brown’s earlier works, leading up to and including The Da Vinci Code. I loved the Stieg Larsson Dragon Tattoo series — it got me reading again with an enthusiasm I haven’t experienced in awhile.
In short, I’m not one of those people who sneers at success. It’s just that, well, I have at least as much to say and at least as many stories to share as Justin Bieber does.
So, while I do wish Justin well, his venture into the literary world serves to reinforce my belief that real writers must not allow their work to be passed over by the powers that be. Publishers like Harper Collins will always reach for the sure profit of celebrity authors. It’s up to each of us to ensure their profit-driven decisions do not determine what history will remember as the art of our time.
Our words are valid. They represent our time and place, the culture from which we speak.
That’s why Alex and I chose to self publish. That’s why readers have responded to our work. They understand, as we do, there is more to this world than teen-culture. There is adventure, love, mystery…a whole range of experience that needs to be recorded.
Art, dance, music, and let us not forget fiction!
And so we write. We write to record for those who will follow what it’s like living and struggling and loving in our time.
We publish for the same reason we write. Because, without publishing, our words are just so much dust scattering on the fickle breeze.
As writers, that is simply not ok.
What a fantastic post Donna and well put. Thank you for sharing your experience and your knowledge about self publishing!
Thank you for visiting, Layna, and for your comment as well. It’s such a pleasure to share and acquire new ideas with our community!
Great post. I think you’ve presented a thoughtful view on self-publishing. It’s still a new idea out there. I am more and more in favor of it as I see better programs set up to help writers self-publish.
Good luck with your future endeavors.
Laurel W.
Thank you, Laurel! I’m glad you visited. There are so many voices out there that want to be heard, even in a modest way. I know SP is not for everyone, but for a growing number of us, it is the solution.
I use POD because I have complete control. The publisher (me) may not provide a trailer ad for my book on TV (recent Michael Connelly book) because I don’t have that kind of money (and I’m not Michael Connelly), but otherwise I think the product is quite good. Moreover, I don’t have the patience to wait for the traditional agent/publisher/editor process. It used to be that there was /marketing on the end of that, but unless you’re a big-time author (like Michael Connelly) a publisher expects you to market your book yourself anyway. Finally, POD is just a more efficient use of my time. BTW, I should correct myself–it is easy to add eBooks to that POD experience now. I’m not sure what the future for publishing will be, but it sure is an exciting time for authors, in spite of the bad economy.
I agree, Steven, control is a big factor in making this decision. With POD publishing you can determine each stage. And if you are unhappy with your publisher, there are no messy, long term contracts. You simply shop around for the next book.
And you’re right — your books are very stylish! I loved the cover for Midas Bomb.
Very well said, and very motivating. Thank you!
Thank you, Rosalind!
Donna, you’ve explained this so very cogently. You are so right – there IS more to life than teen culture. Much more.
Look forward to reading more about the process. Thanks for this. You and Alex are quite the wonderful writers/entrepreneurs!